Comping works in a straightforward manner: record audio or MIDI over a looped section of the project and the data will still be recorded to a single clip, but each cycle will be placed on a new take lane. Performance and verdictįor those who use Live to track MIDI and audio performances, the new comping and linked track capabilities will be the most exciting addition. It also makes polyphonic aftertouch available on Live’s Push devices. MPE can be used without a compatible hardware controller, and can be programmed directly into the new Expressions tab next to the Notes and Envelopes tabs in the MIDI clip editor. MPE also features release velocity, which works much like the familiar ‘attack’ velocity, but applied to the end of notes. MPE makes it possible to pitchbend individual notes, plus there are now individual Slide and Pressure parameters for use as modulation sources with discrete values for each note. Live now features support for MIDI Polyphonic Expression (MPE) for more nuanced control over compatible instruments.
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